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Yes, but they didn’t have any idea in their heads what the characters looked like. And you were specifically auditioning for Mary Patrick? Then I would fly back to San Francisco, do The Kathy & Mo Show, get a call that says “We need you for a callback for singing,” and fly back. At first, they just had us do a few improvs and read a little bit from the script. I woke up and took a cab to the airport and flew to Los Angeles. We were making good money for two women onstage, but still. I didn’t have any big-time agents then because I was just doing a play, but I made some calls and said, “I really feel like I need to audition for this.” They said, “Okay, you can come to the first audition tomorrow at noon in L.A.” We didn’t have a lot of dough then.
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Then the next announcement was about this musical that Touchstone was doing called Sister Act with a bunch of singing nuns.
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She said my name, and I was really excited. She was talking about Soapdish, which I was in. I saw something on Entertainment Tonight, and it was Mary Hart. We were doing eight shows a week, so we were exhausted, but it was fulfilling because we wrote it. So I was doing The Kathy & Mo Show in San Francisco. It was very popular we ended up having two HBO shows and a long off-Broadway run, which was interesting because it was very radical for those days - even for nowadays - to have two women talking about reproductive rights and homosexuality and equal rights. I wrote and performed in a two-woman feminist comedy show called The Kathy & Mo Show. I remember it like it was yesterday because it really was such an interesting time in my life. Where were you in your life and career when Sister Act came your way? In honor of Sister Mary Patrick’s unforgettable zeal, Najimy called up Vulture to talk about the inspiration she took from Entertainment Tonight host Mary Hart, her long friendship with Goldberg, and sneaking backstage in a bunny costume to meet her idol Bette Midler.
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The third-highest-grossing movie of 1992, it has since spawned a sequel (with another reportedly on the way) and an Alan Menken–penned Broadway musical. Najimy has had other great credits in the intervening 30 years - Hocus Pocus, Veronica’s Closet, Rat Race, King of the Hill, Veep - but Sister Act remains her signature role. Whoopi Goldberg may be the force that rocketed Sister Act to blockbuster renown, but without the lively supporting ensemble - namely Najimy, Mary Wickes as the stern choir leader Sister Mary Lazarus, and Wendy McKenna as the mousy Sister Mary Robert - the movie wouldn’t sing the way it does. She is, in her mother’s words, “pure sunshine,” without a trace of cynicism in her surprisingly operatic bones, a quality Kathy Najimy capitalized on from her first audition, back when she was doing a two-woman stage show in San Francisco. She has a humble megawatt smile to match her fidgety enthusiasm that never, ever wanes. Sister Mary Patrick can’t control herself.